VAULT-EXCLUSIVE NUGS SIGN-UP LINK: nugs.net/vault
---
From Third Man's very own Archivist / Psychedelic Stooge, Ben Blackwell:
I thought these two shows were a nice combo of “something old and something new.” With all the focus on the 20th anniversary of the White Stripes first album (the current Vault package, the “Striped” podcast) it only felt appropriate to highlight one of the premier gigs the band played back in 1999. The Jack White show is just a solid gig, recorded to tape at the TMR Nashville home base that felt TOO good not to share in its entirety.
Jack White Live at Third Man Records 4/19/2014 - While most people would know this show for “Lazaretto” and “Power of My Love” being pressed onto a 7” 45rpm single a mere 3 hours and 55 minutes after its recording and touted “The World’s Fastest Record", it’s easy to forget that a decent-sized set of other songs were also performed that morning. This show may be the earliest Jack White has ever performed a concert? In addition to being the first performance on the “Lazaretto” touring run for JW, it would also be the debut live performances of several classic songs in his catalog…the aforementioned “Lazaretto,” “High Ball Stepper,” “Would You Fight For My Love?” “Just One Drink” and “Three Women.” Featuring contributions from Cory Younts, Ikey Owens, Dominic Davis, Olivia Jean, Fats Kaplin, Scout Pare-Phillips, Daru Jones and Lille Mae Rische, this 12-song set is a perfectly distilled collection of what made the “Lazaretto” world tour so captivating.
---
The White Stripes Live at the Gold Dollar Vol. III 2/6/1999 - After the Stripes finished the tracking of their first album (taking place just a stone’s throw from the Gold Dollar) in January 1999, they immediately focused attention on a live performance at the Gold Dollar on Saturday February 6th, 1999. As only the Stripes' second-ever headlining show, the gig was notable for the first-ever live performances of songs “Astro”, “Suzy Lee” and the Robert Johnson classic “Stop Breaking Down”…all of which would be featured on their self-titled debut album released just three months later. The transitional nature of the setlist of this performance captures the band as they grapple with the impending release of their new album and the best way to showcase that material prior to its release.
