{"title":"Reissues","description":"","products":[{"product_id":"1981","title":"1981","description":"\u003cp\u003eThird Man Records is proud to announce the first-ever release of The Pathetx - 1981. Clocking in at 18:16 minutes, available in standard black and limited edition coloured vinyl 12\" 45rpm versions.\u003c\/p\u003e\n\u003cp\u003eThe formation of the Pathetx began in 1980 with singer, Mark Leavitt, and guitarist, Greg Kutcher. They had been playing together in their basements for a while and were looking to get out on stage in the punk clubs in and around Detroit. They assembled the rest of the group, drummer Ted Meek, guitarist happy Tom McHenry and 16 year old bass player Mick Nasty, through newspaper ads, local \"punk walls\" and music shops. The Pathetx took their inspiration from the West Coast punk scene that was happening at the time, bands like The Germs, Black Flag and Dead Kennedys, as opposed to most of the other punk bands that were kicking around Detroit who were looking to The Stooges and MC5 to show them the way. Nunzio's was the band's unofficial home away from home, but they played every legendary punk club in the area: Bookies Club 870, Freezer Theater, Red Carpet, Windsor's Coronation Tavern...you name it, The Pathetx played it. They shared the stage with Detroit's first wave punk bands as well as the superstars of this new hardcore thing that was happening. They played the legendary Endless Summer Skatepark show with Necros, Negative Approach and Meatmen. Their live shows were filled with beer, blood and pogos.\u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":40878669037723,"sku":"THM2VTMR625XXXAX","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/products\/tmr625_pathetx_front_copy.jpg?v=1629310769"},{"product_id":"1968-self-titled","title":"Caetano Veloso","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Tropicália art movement of the late 1960s, with flourishes in visual art, poetry, theatre and music, is one of Brazil’s most adored cultural concoctions. It was a movement which began out of necessity, shortly after a repressive military dictatorship seized power after 20 years of peaceful democracy. The term Tropicália first came from the mind of Brazilian visual artist Hélio Oiticica, whose eponymous piece consisted of a sandy maze bordered by tropical Brazilian flora and, at the end, a television set. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThrough satirizing symbols of their homeland and rejecting a pre-established national culture, the Tropicalists constructed a new form of “aggressive nationalism” outside of an innately anti-imperialist Left and an unthinkingly patriotic Right. By refusing to accept underdevelopment as their identity and excitedly “devouring” disparate culture (low and high brow, domestic and foreign, etc.), the Tropicalists carved out a unifying creative space, a universal sound, different from the older, bourgeois bossa nova movement and the newer, undiscerning rock movement. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCaetano Veloso’s self-titled debut solo album is one of the most important and influential Brazilian (and, dare we say, South American) albums of all time. With the release of this seminal album, Veloso would become the leading voice of Tropicália. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe songs on this album immediately connected with people. Alegria, Algeria was his breakout hit that gained traction as a hymn for liberty advocates, juxtaposing images of Coca Cola, guerrilla groups, bombs and Brigitte Bardot as part of the everyday experience. The album’s first song Tropicália was an anthem for the whole movement; it’s a fragmented allegory, a structure borrowed from friends \u003c\/span\u003ein the concrete poetry scene, touching on divergent cultural symbols, events, allusions and idioms, nimbly representing and critiquing the many contradictions in the new Brazilian dictatorship.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSuperbacana (translated as “Supergroovy”) follows a hyperbolic superhero’s use of technology to fight a gang of cowboys led by the money-hungry Uncle Scrooge, serving as allusions to American imperialism and greed felt in their country, all in the rapid-fire structure of a comic book. The subtext in all these songs, which the dictatorship would not immediately catch, were that these repressed but glaring contradictions, not the bountiful sunny paradise that the military regime was pushing, were the true national identity. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUnfortunately, these cleverly veiled jabs in Veloso and his contemporaries’ bodies of work gained greater and greater exposure as the movement became more and more popular, leading to the arrest, imprisonment and forced exile of Veloso and many of his cohort. Despite these difficulties, the Tropicalists continued creating in exile, strongly influencing artists both at home and abroad. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is the first authorised North American vinyl issue of Caetano Veloso. Whether you’re a longtime fan or first-time listener, Third Man Records could not be more proud to spread the compelling story of this album, this artist and the Tropicália movement. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe height=\"380\" width=\"300\" src=\"https:\/\/open.spotify.com\/embed\/album\/3idXLXoZDLQyxAHF97yguf\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":40878675558555,"sku":"THM2VTMR548XXXAX","price":21.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/products\/tmr548_caetano_front_final.jpg?v=1629310779"},{"product_id":"a-lament-for-epirus","title":"A Lament for Epirus","description":"\u003cp\u003eAlexis Zoumbas was one of the most sublime musicians to ever cast a shadow across the face of the Earth and no one has been able to translate the emotions of despair, of devastation, through an instrument as effectively as Zoumbas. Years of research and obsession have resulted in this, the first collection of recordings by the legendary and masterful Greek folk violinist Alexis Zoumbas. Very few Pre-War musicians have tapped deeper into the human soul than Zoumbas and this volume presents his most profoundly hypnotic and unearthly pieces. A deep set of notes based on Christopher King's pioneering research from 2012 is accompanied by previously-unpublished photographs as well as original artwork by R. Crumb.\u003c\/p\u003e\n\u003cp\u003eOriginally issued in 2014 for Record Store Day, the limited release of the LP immediately went out of print. Faithfully remastered from the original 78s, Christopher King's original version of the LP has been enhanced for Third Man Records by the inclusion of a 7\" EP featuring two previously unissued and unheard alternate takes of the masterpieces Epirotiko Mirologi and Doina.\u003c\/p\u003e\n\u003cp\u003eAmanda Petrusich (New Yorker, Pitchfork) says \"Alexis Zoumbas' expressions of longing are so raw and unmediated that I suspect anyone who has ever yearned for anything -- who has ever gazed dolefully out a window, or sighed audibly over a cup of whiskey, or felt subsumed by a certain kind of ache -- will feel these songs like a club to the back of the knees. They are immediate, destructive, and stunning. That Christopher King was able to collect and contain them for us is an extraordinary gift.\"\u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":40878704066715,"sku":"THM2VTMR591XXXAX","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/products\/tmr-591-zoumbas_a-lament-for-epirus_4000px.jpg?v=1629310834"},{"product_id":"a-lament-for-epirus-limited-edition-smokey-lament-vinyl","title":"A Lament for Epirus (Limited Edition Smokey Lament Vinyl)","description":"\u003cp\u003e\u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":40878705737883,"sku":"THM2VTME591XXXAX","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/products\/tmr-591-zoumbas_a-lament-for-epirus_4000px.jpg?v=1629310834"},{"product_id":"baby-pop","title":"Baby Pop (Standard Black Vinyl)","description":"\u003cp\u003eFrance Gall was a prolific French vocalist and performer, remembered as one of the central figures of the 1960's \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eyé-yé\u003c\/span\u003e pop movement. Aligning catchy, spirited rhythms with lighthearted lyrics and drawing from the beat music a la early Beatles and Hollies, the \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eyé-yé\u003c\/span\u003e artists promoted a sort of new freedom of expression and breaking down of social barriers in post-WWII France. Third Man Records is beyond honoured to bring this music to a larger audience by issuing the first authorised North American vinyl pressings of these titles, some of the most brilliant highlights from Gall's catalogue.\u003c\/p\u003e\n\u003cp\u003eBaby Pop is not only an important album for France herself, it is also a hugely important record for the entire \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eyé-yé\u003c\/span\u003e scene. Baby Pop hinted at the musical direction that \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eyé-yé\u003c\/span\u003e was headed, much in the same way Revolver and Pet Sounds did in the UK and USA. Baby Pop is more mature and varied than her earlier more bubblegum releases. You will still find a wonderfully cheesy tracks like \"L'Amerique\" here and there, but with the impossibly infectious title track and songs like the Gainsbourg penned \"Nous Ne Sommes Va-T'en\" and the groovy Farfissa driven \"Faut-Il que Je T'Aime,\" we welcome a new France Gall and say hello to some of the finest pop music ever released in French or any language. \u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":40878791950491,"sku":"THM2VTMR636XXXAX","price":21.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/products\/tmr_636_france-gall_baby-pop.jpg?v=1629310995"},{"product_id":"detroit-recordings-volume-2","title":"Detroit Recordings Volume 2","description":"\u003cp\u003eThird Man is ecstatic to present the first re-issue of John Lee Hooker's seminal and rare, Detroit and Beyond, recordings on vinyl since their initial release in 1973. These tracks have been heralded by many fans as his best overall collection of recordings, as well as some of his earliest, apart from the 6 recorded by Bernie Besman in 1961. Split between two double-LP volumes and remastered using original master recordings from Detroit's legendary United Sound Systems (not even 2 miles from Third Man Detroit!), these collections are a must for blues and music lovers. Volume 2 includes the amazing \"Baby Please Don't Go\" as well as \"Two Voice Original Mood (I'm In The Mood).\"\u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":40879077818523,"sku":"THM2VTMR512XXXAX","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/products\/tmr512_johnleehooker_cover.jpg?v=1629311553"},{"product_id":"hentchforth-five-limited-edition-pink-vinyl","title":"\"Hentchforth Five\" (Limited Edition Pink Vinyl)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Hentchmen played their first show on Halloween of 1992 and they are noted as some of the earliest purveyors of Detroit-style garage rock. Over their lengthy lifespan, The Hentchmen have released 27 singles (about one each year!) and 8 full-length albums on groundbreaking garage rock labels Norton Records, Estrus Records, Get Hip Records and even a promotional release through Chevrolet. You cannot get more \"Detroit\" than that. To say \"Hentch-Forth\" is their best would be a lie, because whichever record you have spinning is the best! But this album serves as an excellent starting point into their vast, powerful discography.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHentch-Forth (1998) is the The Hentchmen's only album that includes Jack White on bass. This extended edition includes the \"Some Other Guy\" single that also features Jack on guitar plus a couple phenomenal bonus tracks.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere's a joke and a fun fact regarding this record that would have been all but lost over the decades. Italy Records and the artists included \"with Jack White\" on both the 7\" and the 12\" because they thought that it would look like one of those old British Invasion records that would have an old bluesman or rocker as a guest. And for all the White Stripes trivia-heads, The Hentchmen's \"Some Other Guy\" and The White Stripes' \"Lets Shake Hands\" were recorded AND released at the same time, before the world would know what hit them!\u003c\/span\u003e\u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":40879306014875,"sku":"THM2VTME421XXXAX","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/products\/tmr421_album_a.jpg?v=1629311986"},{"product_id":"introducing-martin-solis-and-los-primos","title":"Introducing Martin Solis and Los Primos","description":"\u003cp dir=\"ltr\"\u003ePick any genre - rap, rock, pop, folk, country, whatever you like. Can you think of an artist from that genre that was inducted into its hall of fame without any recordings released? And if one were to exist, what would that say about the artist's impact, influence and importance? Is this scenario even possible?\u003cspan id=\"m_6125626347828360655gmail-m_5167699228640817399gmail-docs-internal-guid-b2e4f5f6-7fff-b864-ec7a-2f0f406c036a\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eBorn 1929 in San Antonio, TX, Martin Huron Solis, Jr. and his family came to Michigan in 1942 as migrant farmworkers and soon settled in the Detroit area. The Solis family was part of a wave of migration during the 1940s that brought thousands of Texas-born Mexican-Americans, along with their culture, north.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThough he played guitar from an early age, Solis eventually fell in love with conjunto music, a South Texas style defined by the combination of accordion and bajo sexto, a Mexican twelve-string bass guitar. He taught himself to play the bajo sexto and joined up with accordionist Manuel Rivera, playing for tips in bars around Southwest Detroit, the heart of Detroit's Mexican-American community. In the late-1950s, he and his cousin Willy Huron, a saxophonist, formed Conjunto Los Primos (\"The Cousins\"), at the time one of only a handful of conjuntos in the Midwest. Solis became a favourite in Detroit based on a vast repertoire of songs he compiled by following the latest hits coming up from Texas.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eTheir musical style was more complex than the conjunto label suggests. The inclusion of Solis's cousin Willy on saxophone blurs the line between working class conjunto music and the more middle class orquesta tejana, which includes more sophisticated string or horn sections.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eLikewise, they played a couple of polcas, the primary song form of the conjunto tradition, but also lean more toward styles like boleros and rancheras, song forms with roots in Cuba and Mexico. Solis's vocal performance, too, showcases a fuller sound more in line with ranchera singers like Vicente Fernandez and Jorge Negrete than the thinner vocal tradition of conjunto style.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eFast forward to modern day -- Solis is now part of this seldom seen echelon of artists who released no records in their lifetime and still was inducted into the Tejano Music Hall of Fame. The power of his live performances and trailblazing creativity in blending styles with educated nuance gave him significant credit among peers and critics alike. This power, coupled with the intrigue of Tejano music thriving so far north of the Rio Grande, has made his 2018 induction into the Tejano ROOTS Hall of Fame, previous inductees of which include pioneers such as Narciso Martinez, El Conjunto Bernal, Beto Villa and Tejano superstars like Selena, that much more special and rare and puts Mr. Solis soundly in a class of his own.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMr. Solis sadly passed the year after he was inducted into the Hall of Fame, but it was during this time that Solis's son Frank discovered a shopping bag containing forgotten reel-to-reel tapes of his father's home-recorded music while helping declutter his attic. Frank took the tapes to his childhood friend (and production manager at Third Man Pressing) Eddie Gillis. Gillis, who was impressed with the recordings and quality of the preserved tapes, shared them with the team at Third Man. It became quickly apparent that this document of music was an historic artifact that needed to be heard. Amazingly, while still with us, Solis was able to finally hear and hold the legacy of his music on vinyl, as his test pressings were delivered for final review.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAs a natural fit with Third Man's broad interest in the preservation of music history, Third Man Records is humbled to release the first ever recordings of Tejano pioneer Martin Solis.\u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":40879403204763,"sku":"THM2VTMR597XXXAX","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/products\/tmr597_solis_jacket_front.jpg?v=1629312149"},{"product_id":"new-grass","title":"New Grass","description":"\u003cp\u003eAlbert Ayler's 1969 album, New Grass, has been misunderstood from the day of its release. The album finds Ayler experimenting with soul music and digging back into his R\u0026amp;B roots (he started his career playing saxophone with Chicago bluesman, Little Walter), fusing it with the avant-garde free jazz (the one element of the record which garnered consistent praise) and adding the vocals of Rose Marie McCoy, The Soul Singers, and Ayler himself. As if predicting the divisiveness of the record to follow, Ayler speaks directly to the listener and explains that New Grass is nothing like his albums before, that it is of \"a different dimension of his life,\" in the album opener \"Message from Albert.\"\u003c\/p\u003e\n\u003cp\u003eNew Grass deserves reconsideration, if not for the heavy grooves and surprising arrangements, then for its bravery in challenging norms of the time; by the '60s, jazz was well-accepted as a uniquely American art form, while soul as a genre was very much still seen as primitive. Ayler melds them together and creates something novel, adventurous, and completely his own.\u003c\/p\u003e\n\u003cp\u003eAt the time of its release, despite its divisive reception, New Grass helped break down the unnecessary walls dividing genres and revealed music's potential freedoms. The album has gone on to influence generations of Jazz, R\u0026amp;B, Funk, Hip Hop, Post Punk, No Wave and unshrinking artists like Pharaoh Sanders, Alice Coltrane, Funkadelic, Jungle Brothers, Red Krayola, Sonic Youth, and Mark E. Smith.\u003c\/p\u003e\n\u003cp\u003eThird Man Records can't recommend this record highly enough. We are confident that it won't take but one listen for you to understand New Grass is an undeniable healing force.\u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":40879823650971,"sku":"THM2VTMR638XXXAX","price":21.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/products\/tmr-638_albert-ayler_new-grass.jpg?v=1629312898"},{"product_id":"retreat-from-the-sun-mt","title":"Retreat From The Sun","description":"\u003cdiv\u003e\n\u003cp\u003eOriginally conceived as a solo album from that dog. frontwoman, Anna Waronker, the third studio LP from the band arrived polished, constructed, and aerodynamic for the late 90's post-grunge haze it emerged from.\u003c\/p\u003e\n\u003cp\u003eWhile gems like \"Hawthorne\" quaintly imagine punk rock shows in car garages, and \"Minneapolis\" recalls the \"I only saw her for one second\" ephemeral beauty of Citizen Kane, the album itself traverses a myriad of emotions and counts among its fans both Pat Smear of the Germs and the Vivian Girls.\u003c\/p\u003e\n\u003cp\u003eTouring in support for Retreat had that dog sharing stages with the likes of Counting Crows, The Wallflowers, and Blur. A deep interview by Matt Pinfield on MTV's 120 Minutes provided prime underground exposure. Boosted by a glossy music video, \"Never Say Never\" even found its way onto the Billboard Modern Rock charts. While a picture disc version of alternate mixes was self-released by the band 2017, this is the first-ever vinyl release of this album.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eFeaturing appearances from: \u003cbr\u003eSteve McDonald - Redd Kross\u003cbr\u003eCharlotte Caffey - The Go-Go's\u003cbr\u003eTanya Haden - The Haden Triplets\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":40880023240859,"sku":"THM2VTMR641XXXAX","price":21.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/products\/tmr641_that_dog_front.jpg?v=1629313237"},{"product_id":"totally-crushed-out","title":"Totally Crushed Out!","description":"\u003cp\u003eConceived as a loosely-based concept album around the idea of crushes and young love, that dog's second album, Totally Crushed Out! is a touchstone underrated classic in line with of-the-era releases like the Breeders Last Splash and Liz Phair's Exile in Guyville.\u003c\/p\u003e\n\u003cp\u003eFrom the Sweet Valley High reminiscent illustrated album cover, to the A minus rating given by the dean Robert Christgau, to the Jenni Konner songwriting credit (long before she was the showrunner for HBO's Girls) this album is quirky, smart, well-written and most of all...enjoyable.\u003c\/p\u003e\n\u003cp\u003ethat dog's touring behind Totally Crushed Out! found them sharing stages with Foo Fighters, Weezer and Teenage Fanclub, their songs being covered live by Pearl Jam, collaborating with Beck, and the vid for \"He's Kissing Christian\" achieving sub-Buzz Bin status on MTV.\u003c\/p\u003e\n\u003cp\u003eThis 25th anniversary reissue marks the first EVER vinyl appearance for this album. Showing their attention to detail, Third Man Records sleuths got their hands on the original oil painting used for the front cover art and worked directly from that for all relevant artwork needs. \u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":40880633118875,"sku":"THM2VTMR640XXXAX","price":21.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/products\/tmr640_that_dog_front.jpg?v=1629314439"},{"product_id":"tremble-under-boom-lights","title":"Tremble Under Boom Lights","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eIn a world chock full of flame-outs, coulda-been contenders and great white hopes, the band Jonathan Fire*Eater are among the “almost-est.” Widely praised as the mid-Nineties next-big-thing, they are largely credited with being the earliest purveyors of the “New York City Rock and Roll Revival” circa 2001. Which would be great, if only the band hadn’t imploded by 1998. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe quintet employed a fresh, one-of-a-kind blend of sly rock and roll reference and reverence. Their press release at the time name-dropped all the correct and relevant influences...the Stooges, the Modern Lovers, Tom Waits, the Scientists, ? and the Mysterians, the Cramps, Nation of Ulysses, the Stones, Nick Cave and the Bad Seeds...all markers conveying the point that Fire-Eater’s dark, brooding overtones are complemented by springy Farfisa tones and impressionistic, evocative lyrics. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe band was inarguably in top form with the 1996 EP release of Tremble Under Boom Lights. Mean and lean at only five tracks, those songs click together perfectly, enough so to kick-start a major label bidding frenzy which found the band signing a lucrative, seven-figure contract. Showcasing lead singer Stewart Lupton’s redolent exercises in picturesque poetry, coupled with Matt Barrick’s inimitable percussive attack, Paul Maroon’s wide, unadorned guitar blistering throughout while Walter Martin’s choice, deliberate organ accompaniment and Tom Frank’s propulsive, bottom-heavy bass all join together for a full, beautiful, glorious masterpiece. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLead-off track “The Search For Cherry Red” would not only provide the EP with a title via its lyrics, but would also see a second life as covered by esteemed rock-and-rollers The Kills. “Give Me Daughters” is enviable for the perspective it foresees, when taking into consideration its narrator was barely 21 years old at the time. Songs flit about cockfights, open caskets, ballroom gowns, switchblades, motorcycle accidents and jewel thieves all to propel the record into a world of juvenile delinquent attitude and vivid cinematic color. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor the Japanese release of Tremble Under Boom Lights, the five-song running order was accentuated with four bonus tracks...three songs from the band’s 1995 debut single and a spritely cover of the Lee Hazelwood gem “The City Never Sleeps.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith the 2019 reissue, Third Man Records is proud to make these seminal songs available digitally and on vinyl for the first time in over two decades. All parties involved are beyond overjoyed to augment the running order of the Japanese version of Tremble Under Boom Lights to include the bonus track “In the Head.” Touted by the band members as the last song they ever recorded, it is wincingly brilliant, the most artful, dudes-in-their-early-twenties version of a swan song that one may ever hear. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter the break-up, Barrick, Maroon and Martin would go on to form the backbone of the Walkmen and enjoy a solid run with their seven full-length releases. All three are still active in the music business today. Frank went on to a career in journalism, writing for Vanity Fair and acting as contributing editor for Washington Monthly. Despite struggling with addiction for years, Stewart Lupton notched solid efforts with his bands the Child Ballads and the Beatings. Lupton passed away suddenly on 27 May, 2018 at the age of 43. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":40880636035227,"sku":"THM2VTMR576XXXAX","price":17.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/products\/tmr576_jonathanfireeater_trembleunderboomlights_jacket_front.jpg?v=1629314446"},{"product_id":"tremble-under-boom-lights-1","title":"Tremble Under Boom Lights (Limited Edition Winston Plum)","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eIn a world chock full of flame-outs, coulda-been contenders and great white hopes, the band Jonathan Fire*Eater are among the “almost-est.” Widely praised as the mid-Nineties next-big-thing, they are largely credited with being the earliest purveyors of the “New York City Rock and Roll Revival” circa 2001. Which would be great, if only the band hadn’t imploded by 1998. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe quintet employed a fresh, one-of-a-kind blend of sly rock and roll reference and reverence. Their press release at the time name-dropped all the correct and relevant influences...the Stooges, the Modern Lovers, Tom Waits, the Scientists, ? and the Mysterians, the Cramps, Nation of Ulysses, the Stones, Nick Cave and the Bad Seeds...all markers conveying the point that Fire-Eater’s dark, brooding overtones are complemented by springy Farfisa tones and impressionistic, evocative lyrics. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe band was inarguably in top form with the 1996 EP release of Tremble Under Boom Lights. Mean and lean at only five tracks, those songs click together perfectly, enough so to kick-start a major label bidding frenzy which found the band signing a lucrative, seven-figure contract. Showcasing lead singer Stewart Lupton’s redolent exercises in picturesque poetry, coupled with Matt Barrick’s inimitable percussive attack, Paul Maroon’s wide, unadorned guitar blistering throughout while Walter Martin’s choice, deliberate organ accompaniment and Tom Frank’s propulsive, bottom-heavy bass all join together for a full, beautiful, glorious masterpiece. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLead-off track “The Search For Cherry Red” would not only provide the EP with a title via its lyrics, but would also see a second life as covered by esteemed rock-and-rollers The Kills. “Give Me Daughters” is enviable for the perspective it foresees, when taking into consideration its narrator was barely 21 years old at the time. Songs flit about cockfights, open caskets, ballroom gowns, switchblades, motorcycle accidents and jewel thieves all to propel the record into a world of juvenile delinquent attitude and vivid cinematic color. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor the Japanese release of Tremble Under Boom Lights, the five-song running order was accentuated with four bonus tracks...three songs from the band’s 1995 debut single and a spritely cover of the Lee Hazelwood gem “The City Never Sleeps.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith the 2019 reissue, Third Man Records is proud to make these seminal songs available digitally and on vinyl for the first time in over two decades. All parties involved are beyond overjoyed to augment the running order of the Japanese version of Tremble Under Boom Lights to include the bonus track “In the Head.” Touted by the band members as the last song they ever recorded, it is wincingly brilliant, the most artful, dudes-in-their-early-twenties version of a swan song that one may ever hear. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter the break-up, Barrick, Maroon and Martin would go on to form the backbone of the Walkmen and enjoy a solid run with their seven full-length releases. All three are still active in the music business today. Frank went on to a career in journalism, writing for Vanity Fair and acting as contributing editor for Washington Monthly. Despite struggling with addiction for years, Stewart Lupton notched solid efforts with his bands the Child Ballads and the Beatings. Lupton passed away suddenly on 27 May, 2018 at the age of 43. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":40880636395675,"sku":"THM2VTME576XXXAX","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/products\/tmr576_jonathanfireeater_trembleunderboomlights_jacket_front_2.jpg?v=1629314447"},{"product_id":"what-that-is-limited-edition-orange-vinyl","title":"What That Is! (Limited Edition Orange Vinyl)","description":"\u003cp\u003eJalacy J. Hawkins, better known as Screamin’ Jay Hawkins, was born on 18 July, 1929 in Cleveland, Ohio. As a young man, he played piano, boxed in local championships and learned opera at the Ohio Conservatory of Music. Although initially pursuing opera after returning from serving in World War II, Hawkins eventually sharpened his focus on the darker side of R\u0026amp;B and jazz, using macabre stage props, absolute wildman persona and expert voice imitating the blare and squeal of saxophones. His most notable chart-topper was the boozy, raucous 1956 hit “I Put A Spell On You,” which was banned by many radio stations for its suggestive groans and grunts. All things considered, Screamin’ Jay Hawkins is considered one of the earliest pioneers of what would become shock rock.\u003c\/p\u003e\n \u003cp\u003eRecorded in 1969, years following his big hits, Screamin’ Jay Hawkins’ third album What That Is! showcases Hawkins in one of his most rowdy and compelling stages of his artistic career. With a killer backing band featuring the great Earl Palmer on drums for most of the cuts and Herb Ellis guesting on a few. We find Jay singing about life, love and loss as well as feasting Mau Maus and pain, REAL PAIN.\u003c\/p\u003e\n \u003cp\u003eFrom the album notes- “Producer’s Note: This album was recorded live at the Club Amigo in North Hollywood on 23 and 24 June, Nineteen Hundred and Yesteryear, and is dedicated to President Nixon, whose efforts to recapture the era of the early 50’s do not pass unnoticed.” We debated swapping out Presidents’ names. Jay would have liked that.\u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":40880718676123,"sku":"THM2VTME663LPXAX","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/products\/tmr663_screamin_jay_what_front_1.jpg?v=1629314606"},{"product_id":"what-that-is-standard-black-vinyl","title":"What That Is!","description":"\u003cp\u003eJalacy J. Hawkins, better known as Screamin' Jay Hawkins, was born on 18 July, 1929 in Cleveland, Ohio. As a young man, he played piano, boxed in local championships, and learned opera at the Ohio Conservatory of Music. Although initially pursuing opera after returning from serving in World War II, Hawkins eventually sharpened his focus on the darker side of R\u0026amp;B and jazz, using macabre stage props, an absolute wildman persona, and expert voice imitating the blare and squeal of saxophones. His most notable chart-topper was the boozy, raucous 1956 hit \"I Put A Spell On You,\" which was banned by many radio stations for its suggestive groans and grunts. All things considered, Screamin' Jay Hawkins is considered one of the earliest pioneers of what would become shock rock.\u003c\/p\u003e\n\u003cp\u003eRecorded in 1969, years following his big hits, Screamin' Jay Hawkins' third album, What That Is!, showcases Hawkins in one of his most rowdy and compelling stages of his artistic career. With a killer backing band featuring the great Earl Palmer on drums for most of the cuts and Herb Ellis guesting on a few. We find Jay singing about life, love, and loss, as well as feasting Mau Maus and pain, REAL PAIN.\u003c\/p\u003e\n\u003cp\u003eFrom the album notes: \"Producer's Note: This album was recorded live at the Club Amigo in North Hollywood on 23 and 24 June, Nineteen Hundred and Yesteryear, and is dedicated to President Nixon, whose efforts to recapture the era of the early 50's do not pass unnoticed.\" We debated swapping out Presidents' names. Jay would have liked that.\u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"Default Title","offer_id":40880719331483,"sku":"THM2VTMR663XXXAX","price":21.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/products\/tmr663_screamin_jay_what_front.jpg?v=1629314608"},{"product_id":"up-limited-edition-yellow-vinyl","title":"Up (Limited Edition Yellow Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLike so many other disenfranchised kids in the heady days of mid-eighties United Kingdom, Magic Roundabout came armed with leather jackets, charity shop instruments, singles by The Fall and Buzzcocks, good haircuts, a healthy VU obsession and a little psychedelic inspiration. Influenced into existence at early gigs by The Jesus and Mary Chain and Shop Assistants, The Roundies wanted to change the world or at the very least make some noise, shake things up and be a part of the happening.\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe gang established a clubhouse in early 1986 and began rehearsing, recording and gigging. Playing a ton of legendary shows with the likes of The Pastels, The Blue Aeroplanes, Spacemen 3, Loop, My Bloody Valentine, Inspiral Carpets and picking up a bunch of fans along the way. Rumor has it that Noel Gallagher roadied their final show.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThere was one song released - She’s a Waterfall Parts 1 and 2 on Mark Webber’s (Pulp) Oozing Through The Ozone Layer cassette compilation - and that’s it. There were also talks of a flexi-disc that, for whatever reason, never saw the light of day. But by the end of the 80s, the gang had all gone their separate ways and the recordings along with so many other things were thought to be lost forever...\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNow, these 1987 recordings recently unearthed by Ian Masters (Pale Saints) and Third Man Records and given the “treatment” by Warren Defever are presented to you lucky ones as the debut album by Magic Roundabout. 34 years too late or perfectly steeped and presented at just the right moment in history? Tune in, turn on and make up your own mind. Enjoy the trip.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNotes:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDebut album, 34 years late, from mid ‘80s Manchester noisemakers Magic Roundabout \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePlayed shows with Loop, Spacemen 3, The Pastels, The Vaselines\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Third Man UK\/EU Store","offers":[{"title":"Default Title","offer_id":41152039059611,"sku":"THM2VTME710XXXAX","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/products\/TMR710_MagicRoundabout_LP_cover.jpg?v=1631814504"},{"product_id":"up-mt","title":"Up","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLike so many other disenfranchised kids in the heady days of mid-eighties United Kingdom, Magic Roundabout came armed with leather jackets, charity shop instruments, singles by The Fall and Buzzcocks, good haircuts, a healthy VU obsession and a little psychedelic inspiration. Influenced into existence at early gigs by The Jesus and Mary Chain and Shop Assistants, The Roundies wanted to change the world or at the very least make some noise, shake things up and be a part of the happening.\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe gang established a clubhouse in early 1986 and began rehearsing, recording and gigging. Playing a ton of legendary shows with the likes of The Pastels, The Blue Aeroplanes, Spacemen 3, Loop, My Bloody Valentine, Inspiral Carpets and picking up a bunch of fans along the way. Rumor has it that Noel Gallagher roadied their final show.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThere was one song released - She’s a Waterfall Parts 1 and 2 on Mark Webber’s (Pulp) Oozing Through The Ozone Layer cassette compilation - and that’s it. There were also talks of a flexi-disc that, for whatever reason, never saw the light of day. But by the end of the 80s, the gang had all gone their separate ways and the recordings along with so many other things were thought to be lost forever...\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNow, these 1987 recordings recently unearthed by Ian Masters (Pale Saints) and Third Man Records and given the “treatment” by Warren Defever are presented to you lucky ones as the debut album by Magic Roundabout. 34 years too late or perfectly steeped and presented at just the right moment in history? Tune in, turn on and make up your own mind. Enjoy the trip.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNotes:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDebut album, 34 years late, from mid ‘80s Manchester noisemakers Magic Roundabout \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePlayed shows with Loop, Spacemen 3, The Pastels, The Vaselines\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Third Man UK\/EU Store","offers":[{"title":"Default Title","offer_id":41222137086107,"sku":"THM2VTMR710LPXAX","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/products\/TMR710_MagicRoundabout_LP_cover_e23d0494-c1df-4d71-9811-426e15fab435.jpg?v=1632409200"},{"product_id":"toothpaste-and-pills-demos-and-live-1978-1981","title":"Toothpaste and Pills (Demos and Live 1978-1981)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLong before John Brannon of Negative Approach cemented himself as a USHC icon, you would hear rumblings about his pre-NA glam group, STATIC. Only a handful of people were lucky\/brave enough to see them live. Scenesters spoke of a tape but never seemed to have one. Their most well-remembered song, Toothpaste and Pills, allegedly featured smashing beer bottles against John’s mom’s basement wall as a percussion instrument. Could this be real?\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFast forward to 2020 and a few months into the covid-19 lockdown, Brannon came across a bunch of tapes he dug out of a box in his Mom’s closet - STATIC “DEMOS ‘78”, STATIC “LIVE AT GROSSE POINTE SOUTH H.S.”, STATIC “LIVE AT PLEWA HALL”. Holy shit! The legend is true! And best of all, STATIC rule!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJohn Brannon grew up in Grosse Pointe Park just a few blocks from the Detroit border. John was always into music, but as soon as he heard T-Rex, The Stooges and Alice Cooper, he was obsessed (and still is). He had to start a band to channel his obsessions. So, John and fellow neighborhood kid, Billy Daniels, started writing songs and jamming in John’s mom’s basement. John sang and played piano. Billy played guitar and sang too. They enlisted the help of a local drummer known simply as “Red”, and STATIC was born.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDuring the first year that they recorded demos at Mrs. Brannon’s, they bought a bunch of beer and invited all the kids over to drink and go nuts as STATIC would run through their hits like Toothpaste and Pills, Punk Nation and We’re So Cheap We’re Divine. Mrs. Brannon finally had enough and kicked them outta the basement and forced them to get a space they could call their own. They added Mike Neal on bass and started doing proper gigs at Plewa Hall (STATIC HQ) and at legendary Detroit and Windsor (just across the river in Canada) punk rock clubs like Nunzio’s, Bookies and Coronation Tavern. Their talent show performance at Grosse Pointe South High School in 1979 ended with the plug being pulled, the cops being called and a riot of rowdy kids. Amazingly, this is documented on the album under ‘’H.S. Riot”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter the talent show, Red left and in stepped a new drummer named Dana. Dana, Mike, Billy and Brannon, going by Static Electric, continued to play until the last STATIC show at Coronation Tavern in the summer of 1981. By this time, Brannon had seen Black Flag and Necros and knew he had to do something new. A few short months after the last STATIC show, Brannon was back on stage with his head freshly shaved, fronting his new group Negative Approach.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBefore Negative Approach changed the face of punk and hardcore, before Laughing Hyenas scared the world silly and blew everyone else off the stage and before Easy Action started melting minds all over the world, there was STATIC. STATIC was real. STATIC was real as shit.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThird Man Records is beyond ecstatic to be providing this long-missing piece of the American Underground Music puzzle. We worked closely with John Brannon and Warren Defever, one of Third Man Mastering’s resident wizards, to put together this essential collection of demos and live recordings.\u003c\/p\u003e","brand":"Third Man UK\/EU Store","offers":[{"title":"Default Title","offer_id":41222236274843,"sku":"THM7LTMR706LPXAX","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/products\/TMR706_StaticLP_cover.jpg?v=1632410320"},{"product_id":"toothpaste-and-pills-demos-and-live-1978-1981-limited-edition-aquafresh-vinyl","title":"Toothpaste and Pills (Demos and Live 1978-1981) - (Limited Edition Aquafresh Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e*ONE PER VAULT MEMBER. FIRST COME, FIRST SERVED. MULTIPLE ORDERS ON A SINGLE MEMBER'S ACCOUNT WILL BE CANCELED. ALL SALES FINAL, SOLD AS-IS, NO EXCHANGES OR RETURNS! NO EXCEPTIONS! Color imperfections from manufacturing may be present and shall not warrant return\/exchange\/refund.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLong before John Brannon of Negative Approach cemented himself as a USHC icon, you would hear rumblings about his pre-NA glam group, STATIC. Only a handful of people were lucky\/brave enough to see them live. Scenesters spoke of a tape but never seemed to have one. Their most well-remembered song, Toothpaste and Pills, allegedly featured smashing beer bottles against John’s mom’s basement wall as a percussion instrument. Could this be real?\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFast forward to 2020 and a few months into the covid-19 lockdown, Brannon came across a bunch of tapes he dug out of a box in his Mom’s closet - STATIC “DEMOS ‘78”, STATIC “LIVE AT GROSSE POINTE SOUTH H.S.”, STATIC “LIVE AT PLEWA HALL”. Holy shit! The legend is true! And best of all, STATIC rule!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJohn Brannon grew up in Grosse Pointe Park just a few blocks from the Detroit border. John was always into music, but as soon as he heard T-Rex, The Stooges and Alice Cooper, he was obsessed (and still is). He had to start a band to channel his obsessions. So, John and fellow neighborhood kid, Billy Daniels, started writing songs and jamming in John’s mom’s basement. John sang and played piano. Billy played guitar and sang too. They enlisted the help of a local drummer known simply as “Red”, and STATIC was born.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDuring the first year that they recorded demos at Mrs. Brannon’s, they bought a bunch of beer and invited all the kids over to drink and go nuts as STATIC would run through their hits like Toothpaste and Pills, Punk Nation and We’re So Cheap We’re Divine. Mrs. Brannon finally had enough and kicked them outta the basement and forced them to get a space they could call their own. They added Mike Neal on bass and started doing proper gigs at Plewa Hall (STATIC HQ) and at legendary Detroit and Windsor (just across the river in Canada) punk rock clubs like Nunzio’s, Bookies and Coronation Tavern. Their talent show performance at Grosse Pointe South High School in 1979 ended with the plug being pulled, the cops being called and a riot of rowdy kids. Amazingly, this is documented on the album under ‘’H.S. Riot”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter the talent show, Red left and in stepped a new drummer named Dana. Dana, Mike, Billy and Brannon, going by Static Electric, continued to play until the last STATIC show at Coronation Tavern in the summer of 1981. By this time, Brannon had seen Black Flag and Necros and knew he had to do something new. A few short months after the last STATIC show, Brannon was back on stage with his head freshly shaved, fronting his new group Negative Approach.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBefore Negative Approach changed the face of punk and hardcore, before Laughing Hyenas scared the world silly and blew everyone else off the stage and before Easy Action started melting minds all over the world, there was STATIC. STATIC was real. STATIC was real as shit.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThird Man Records is beyond ecstatic to be providing this long-missing piece of the American Underground Music puzzle. We worked closely with John Brannon and Warren Defever, one of Third Man Mastering’s resident wizards, to put together this essential collection of demos and live recordings.\u003c\/p\u003e","brand":"Third Man Store UK\/EU","offers":[{"title":"Default Title","offer_id":42550072443035,"sku":"THM2VTME706XXXAX","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/products\/TMR706_StaticLP_cover_7fa75aff-ac9d-40ac-ace7-5e2c948698d8.jpg?v=1658431292"},{"product_id":"detroit-new-york-junction-standard-black-vinyl-mt","title":"Detroit-New York Junction (Standard Black Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.discogs.com\/artist\/271154-Thad-Jones\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.discogs.com\/artist\/271154-Thad-Jones\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThad Jones\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- Trumpet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eOscar Pettiford - Bass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.discogs.com\/artist\/30184-Kenny-Burrell\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.discogs.com\/artist\/30184-Kenny-Burrell\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eKenny Burrell\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- Guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.discogs.com\/artist\/372362-Shadow-Wilson\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.discogs.com\/artist\/372362-Shadow-Wilson\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eShadow Wilson\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- Drums\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.discogs.com\/artist\/253443-Tommy-Flanagan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.discogs.com\/artist\/253443-Tommy-Flanagan\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eTommy Flanagan\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- Piano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.discogs.com\/artist\/307692-Billy-Mitchell\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.discogs.com\/artist\/307692-Billy-Mitchell\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBilly Mitchell\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- Tenor Saxophone\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eRecorded at Audio Video Studios - New York, NY 1956 by Alfred Lion and Rudy Van Gelder\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eIt would be difficult to overstate the importance of the Jones brothers Thad, Hank and Elvin on the world of jazz. Between the three of them, their performances can be heard on literally thousands of recordings, including some of the most legendary sessions ever recorded with some of the greatest artists. Post-War Detroit was really taking notes on the new sounds of jazz coming into favor and the group of former Detroiters included on this album include some of its most virtuosic students. Thad Jones, (although he was technically from nearby Pontiac, MI) on trumpet, Kenny Burrell on guitar, Tommy Flanagan on piano and Billy Mitchell on saxophone. Jones’ first for Blue Note from 1956 stands as a fantastic sounding announcement that the Detroiters had landed in New York and were about to take off. Including legendary players Shadow Wilson on Drums and Oscar Pettiford on Bass; Detroit - New York Junction, a long sought after rarity and a true testament to the importance of Detroit on the evolution of jazz music through Blue Note Records. \u003c\/span\u003e\u003c\/p\u003e","brand":"Third Man Records – Official UK\/EU Store","offers":[{"title":"Default Title","offer_id":43429618057371,"sku":"THM2VTMR854XXXAX","price":35.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/files\/TMRBlueNote_ThadJones_StandardEdition.jpg?v=1687372103"},{"product_id":"detroit-new-york-junction-limited-edition-indie-white-vinyl","title":"Detroit-New York Junction (Limited Edition Indie White Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.discogs.com\/artist\/271154-Thad-Jones\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.discogs.com\/artist\/271154-Thad-Jones\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThad Jones\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- Trumpet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eOscar Pettiford - Bass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.discogs.com\/artist\/30184-Kenny-Burrell\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.discogs.com\/artist\/30184-Kenny-Burrell\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eKenny Burrell\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- Guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.discogs.com\/artist\/372362-Shadow-Wilson\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.discogs.com\/artist\/372362-Shadow-Wilson\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eShadow Wilson\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- Drums\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.discogs.com\/artist\/253443-Tommy-Flanagan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.discogs.com\/artist\/253443-Tommy-Flanagan\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eTommy Flanagan\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- Piano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.discogs.com\/artist\/307692-Billy-Mitchell\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.discogs.com\/artist\/307692-Billy-Mitchell\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBilly Mitchell\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- Tenor Saxophone\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eRecorded at Audio Video Studios - New York, NY 1956 by Alfred Lion and Rudy Van Gelder\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eIt would be difficult to overstate the importance of the Jones brothers Thad, Hank and Elvin on the world of jazz. Between the three of them, their performances can be heard on literally thousands of recordings, including some of the most legendary sessions ever recorded with some of the greatest artists. Post-War Detroit was really taking notes on the new sounds of jazz coming into favor and the group of former Detroiters included on this album include some of its most virtuosic students. Thad Jones, (although he was technically from nearby Pontiac, MI) on trumpet, Kenny Burrell on guitar, Tommy Flanagan on piano and Billy Mitchell on saxophone. Jones’ first for Blue Note from 1956 stands as a fantastic sounding announcement that the Detroiters had landed in New York and were about to take off. Including legendary players Shadow Wilson on Drums and Oscar Pettiford on Bass; Detroit - New York Junction, a long sought after rarity and a true testament to the importance of Detroit on the evolution of jazz music through Blue Note Records. \u003c\/span\u003e\u003c\/p\u003e","brand":"Third Man Records – Official UK\/EU Store","offers":[{"title":"Default Title","offer_id":43429619040411,"sku":"THM2VTME854IndAX","price":37.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/files\/TMRBlueNote_ThadJones_IndieStoreOpaqueWhiteEdition.jpg?v=1687372340"},{"product_id":"detroit-new-york-junction-limited-edition-313-eclipse-vinyl","title":"Detroit-New York Junction (Limited Edition 313 Eclipse Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.discogs.com\/artist\/271154-Thad-Jones\" data-mce-href=\"https:\/\/www.discogs.com\/artist\/271154-Thad-Jones\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThad Jones\u003c\/span\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- Trumpet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eOscar Pettiford - Bass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.discogs.com\/artist\/30184-Kenny-Burrell\" data-mce-href=\"https:\/\/www.discogs.com\/artist\/30184-Kenny-Burrell\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eKenny Burrell\u003c\/span\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- Guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.discogs.com\/artist\/372362-Shadow-Wilson\" data-mce-href=\"https:\/\/www.discogs.com\/artist\/372362-Shadow-Wilson\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eShadow Wilson\u003c\/span\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- Drums\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.discogs.com\/artist\/253443-Tommy-Flanagan\" data-mce-href=\"https:\/\/www.discogs.com\/artist\/253443-Tommy-Flanagan\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eTommy Flanagan\u003c\/span\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- Piano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.discogs.com\/artist\/307692-Billy-Mitchell\" data-mce-href=\"https:\/\/www.discogs.com\/artist\/307692-Billy-Mitchell\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eBilly Mitchell\u003c\/span\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- Tenor Saxophone\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eRecorded at Audio Video Studios - New York, NY 1956 by Alfred Lion and Rudy Van Gelder\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eIt would be difficult to overstate the importance of the Jones brothers Thad, Hank and Elvin on the world of jazz. Between the three of them, their performances can be heard on literally thousands of recordings, including some of the most legendary sessions ever recorded with some of the greatest artists. Post-War Detroit was really taking notes on the new sounds of jazz coming into favor and the group of former Detroiters included on this album include some of its most virtuosic students. Thad Jones, (although he was technically from nearby Pontiac, MI) on trumpet, Kenny Burrell on guitar, Tommy Flanagan on piano and Billy Mitchell on saxophone. Jones’ first for Blue Note from 1956 stands as a fantastic sounding announcement that the Detroiters had landed in New York and were about to take off. Including legendary players Shadow Wilson on Drums and Oscar Pettiford on Bass; Detroit - New York Junction, a long sought after rarity and a true testament to the importance of Detroit on the evolution of jazz music through Blue Note Records. \u003c\/span\u003e\u003c\/p\u003e","brand":"Third Man Records – Official UK\/EU Store","offers":[{"title":"Default Title","offer_id":43429619957915,"sku":"THM2VTME854XXXAX","price":39.98,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/files\/TMRBlueNote_ThadJones_TMR_Eclipse_Edition.jpg?v=1687372650"},{"product_id":"genesis-standard-black-vinyl","title":"Genesis (Standard Black Vinyl)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eElvin Jones - drums\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eGene Perla - bass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eFrank Foster - tenor saxophone, alto flute\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eDave Liebman - tenor saxophone, soprano saxophone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eRecorded at Van Gelder Studio - Englewood Cliffs, NJ 1971 by Rudy Van Gelder\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eElvin Jones, one of the true great drummers in jazz, recorded this album in 1971 after having led his own band for several years following his immortal work with the John Coltrane Quartet. This unique recording has a spacious feel with plenty of room for the players to work out the melodic compositions created by the members of the group. At times the recording creates an almost cinematic space, yet always propelling forward into unexpected territory. No pandering to contemporary tastes at this date or following the trends of the time, this is simply a great example of mature musicians given the freedom to create their own vision and place in time.  Saxophonists Frank Foster and Dave Liebman instruments intertwine in a spellbinding way with opportunities to showcase Jones’ incredible virtuosity as a drummer. An album that reveals itself to the listener slowly with new delights every time it’s removed from the jacket.  \u003c\/span\u003e\u003c\/p\u003e","brand":"Third Man Records – Official UK\/EU Store","offers":[{"title":"Default Title","offer_id":43429691424923,"sku":"THM2VTMR852XXXAX","price":35.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/files\/852albumA.jpg?v=1777996532"},{"product_id":"genesis-limited-edition-indie-pink-vinyl","title":"Genesis (Limited Edition Indie Pink Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eElvin Jones - drums\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eGene Perla - bass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eFrank Foster - tenor saxophone, alto flute\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eDave Liebman - tenor saxophone, soprano saxophone\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eRecorded at Van Gelder Studio - Englewood Cliffs, NJ 1971 by Rudy Van Gelder\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eElvin Jones, one of the true great drummers in jazz, recorded this album in 1971 after having led his own band for several years following his immortal work with the John Coltrane Quartet. This unique recording has a spacious feel with plenty of room for the players to work out the melodic compositions created by the members of the group. At times the recording creates an almost cinematic space, yet always propelling forward into unexpected territory. No pandering to contemporary tastes at this date or following the trends of the time, this is simply a great example of mature musicians given the freedom to create their own vision and place in time.  Saxophonists Frank Foster and Dave Liebman instruments intertwine in a spellbinding way with opportunities to showcase Jones’ incredible virtuosity as a drummer. An album that reveals itself to the listener slowly with new delights every time it’s removed from the jacket.  \u003c\/span\u003e\u003c\/p\u003e","brand":"Third Man Records – Official UK\/EU Store","offers":[{"title":"Default Title","offer_id":43429692407963,"sku":"THM2VTME852IndAX","price":37.98,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/files\/852albumA.jpg?v=1777996532"},{"product_id":"multidirection-standard-black-vinyl","title":"Multidirection (Standard Black Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eKenny Cox - piano \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eCharles Moore - trumpet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eDanny Spencer - Drums\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eRon Brooks  - Bass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eLeon Henderson - Tenor Sax\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eRecorded at GM Recording Studio - East Detroit, MI 1969 by Jim Bruzzese \u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eDetroit has a long tradition of being the farm team for the Big Apple jazz big leagues, but just as important is the acknowledgement of local legends who left their mark on the city by staying put and releasing amazing music right in Detroit. Kenny Cox and the Contemporary Jazz Quintet is one such group that could have and definitely should have had a wider audience in their day, but their recorded legacy continues to grow in estimation. Truly a comprehensive group with no weak links, the compositions and playing on this record show the incredible talent and innovation that was brewing in Detroit before, during and after Motown locked its doors in the Motor City. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eOf note is group member Charles Moore, an important figure in the jazz and arts scene in Detroit and founding member of an underground art and music co-operative called the Detroit Artist Workshop. A talented musician and composer in his own right, Moore and group leader Cox composed all the material on Multidirection. Cox described it as “more of an orchestral-type effort than just a combo per se.” in the original release liner notes by Nat Hentoff. Both were integral in the future DIY jazz universe by co-founding the highly influential Strata Records. But before embarking on that journey, his group recorded two timeless classics for Blue Note Records. Like many of the greatest musical albums, this work shines brightest as a whole with new dimensions to discover with each listen. This new and exciting re-issue is certain to provide the listening experience with the best possible platform.\u003c\/span\u003e\u003c\/p\u003e","brand":"Third Man Records – Official UK\/EU Store","offers":[{"title":"Default Title","offer_id":43429694734491,"sku":"THM2VTMR853XXXAX","price":35.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/files\/853albumA.jpg?v=1777996430"},{"product_id":"multidirection-limited-edition-indie-coke-clear-vinyl","title":"Multidirection (Limited Edition Indie Coke Clear Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eKenny Cox - piano \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eCharles Moore - trumpet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eDanny Spencer - Drums\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eRon Brooks  - Bass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eLeon Henderson - Tenor Sax\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eRecorded at GM Recording Studio - East Detroit, MI 1969 by Jim Bruzzese\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eDetroit has a long tradition of being the farm team for the Big Apple jazz big leagues, but just as important is the acknowledgement of local legends who left their mark on the city by staying put and releasing amazing music right in Detroit. Kenny Cox and the Contemporary Jazz Quintet is one such group that could have and definitely should have had a wider audience in their day, but their recorded legacy continues to grow in estimation. Truly a comprehensive group with no weak links, the compositions and playing on this record show the incredible talent and innovation that was brewing in Detroit before, during and after Motown locked its doors in the Motor City. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eOf note is group member Charles Moore, an important figure in the jazz and arts scene in Detroit and founding member of an underground art and music co-operative called the Detroit Artist Workshop. A talented musician and composer in his own right, Moore and group leader Cox composed all the material on Multidirection. Cox described it as “more of an orchestral-type effort than just a combo per se.” in the original release liner notes by Nat Hentoff. Both were integral in the future DIY jazz universe by co-founding the highly influential Strata Records. But before embarking on that journey, his group recorded two timeless classics for Blue Note Records. Like many of the greatest musical albums, this work shines brightest as a whole with new dimensions to discover with each listen. This new and exciting re-issue is certain to provide the listening experience with the best possible platform.\u003c\/span\u003e\u003c\/p\u003e","brand":"Third Man Records – Official UK\/EU Store","offers":[{"title":"Default Title","offer_id":43429698666651,"sku":"THM2VTME853IndAX","price":37.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/files\/853albumA.jpg?v=1777996430"},{"product_id":"live-at-club-mozambique-standard-black-vinyl","title":"Live at Club Mozambique (Standard Black Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eGrant Green - Guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eRonnie Foster - Organ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eIdris Muhammad - Drums\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eClarence Thomas - Soprano Sax, Tenor Sax\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eHouston Person - Tenor Sax\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eRecorded live at Club Mozambique - Detroit, MI 1971 by Francis Wolff\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe funk fans have been waiting for this one. Finally available on vinyl, Grant Green’s near perfect slice of jazz funk and soul, Live at Club Mozambique, remastered and rendered back in the Motor City. Grant Green’s band had been playing a series of live dates at Detroit’s Club Mozambique, (before it became a fabled Male dance club) when this session was recorded live on two cold January nights in 1971. Powerhouse drummer Idris Muhammad and soulful tenor star Houston Person were brought in to supplement Green’s current band featuring Ronnie Foster on organ and Clarence Thomas on Soprano and Tenor Sax and Blue Note producer Francis Wolff recorded. This treasure was never released, though, and (conjectures aside) remained in the Blue Notes vaults for 35 years before a 2006 CD release. Sounding incredibly fresh and live, you’d be hard-pressed to find a more real stamping of Grant Green at the top of his game. The lp blends extremely hypnotic and wild funk such as their opening cover of a local funk hit “Jan Jan” by the Fabulous Counts next to laidback renditions of early 70’s soul favorites “Walk on By”, “Patches” and “One More Chance” by the Jackson 5. It perfectly captures the magic of hearing a legendary band effortlessly doing their thing in a small club while the audience unwinds after a long work day. Green pulls it all together with his melodic genius and perfect delivery. Great artists make it seem so easy. No pretensions here, just a great band burning up the stage with unmistakable chemistry on what might be the ultimate jazz funk time capsule. Maybe you can’t go back in time, but if you close your eyes and light a cigarette, you might be convinced you’re sitting in a wood-paneled club on Detroit’s Westside enjoying Grant Green and his band tear it up. \u003c\/span\u003e\u003c\/p\u003e","brand":"Third Man Records – Official UK\/EU Store","offers":[{"title":"Default Title","offer_id":43429704958107,"sku":"THM2VTMR850XXXAX","price":42.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/files\/850albumA.jpg?v=1777996291"},{"product_id":"live-at-club-mozambique-limited-edition-indie-green-vinyl","title":"Live at Club Mozambique (Limited Edition Indie Green Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eGrant Green - Guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eRonnie Foster - Organ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eIdris Muhammad - Drums\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eClarence Thomas - Soprano Sax, Tenor Sax\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eHouston Person - Tenor Sax\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eRecorded live at Club Mozambique - Detroit, MI 1971 by Francis Wolff\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe funk fans have been waiting for this one. Finally available on vinyl, Grant Green’s near perfect slice of jazz funk and soul, Live at Club Mozambique, remastered and rendered back in the Motor City. Grant Green’s band had been playing a series of live dates at Detroit’s Club Mozambique, (before it became a fabled Male dance club) when this session was recorded live on two cold January nights in 1971. Powerhouse drummer Idris Muhammad and soulful tenor star Houston Person were brought in to supplement Green’s current band featuring Ronnie Foster on organ and Clarence Thomas on Soprano and Tenor Sax and Blue Note producer Francis Wolff recorded. This treasure was never released, though, and (conjectures aside) remained in the Blue Notes vaults for 35 years before a 2006 CD release. Sounding incredibly fresh and live, you’d be hard-pressed to find a more real stamping of Grant Green at the top of his game. The lp blends extremely hypnotic and wild funk such as their opening cover of a local funk hit “Jan Jan” by the Fabulous Counts next to laidback renditions of early 70’s soul favorites “Walk on By”, “Patches” and “One More Chance” by the Jackson 5. It perfectly captures the magic of hearing a legendary band effortlessly doing their thing in a small club while the audience unwinds after a long work day. Green pulls it all together with his melodic genius and perfect delivery. Great artists make it seem so easy. No pretensions here, just a great band burning up the stage with unmistakable chemistry on what might be the ultimate jazz funk time capsule. Maybe you can’t go back in time, but if you close your eyes and light a cigarette, you might be convinced you’re sitting in a wood-paneled club on Detroit’s Westside enjoying Grant Green and his band tear it up. \u003c\/span\u003e\u003c\/p\u003e","brand":"Third Man Records – Official UK\/EU Store","offers":[{"title":"Default Title","offer_id":43429708234907,"sku":"THM2VTME850IndAX","price":44.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/files\/TMRBlueNote_GrantGreen_IndieStore_OpaqueGreenEdition.jpg?v=1687379884"},{"product_id":"500-pounds","title":"500 Pounds","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBig Sugar's well-known record \"500 Pounds,\" first released in the U.S. in 1995, stands as a defining masterpiece in their discography. Produced by Gordie Johnson, Peter Prilesnik, and Tom Treumuth, this album marked a pivotal moment for the band, showcasing their ability to seamlessly blend blues, rock, and reggae.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe title track, \"500 Pounds,\" became an instant classic, capturing the essence of the band's innovative sound. Gordie Johnson's soulful vocals and masterful guitar work, combined with the talents of the original lineup including Kelly Hoppe, Garry Lowe, and Walter \"Crash\" Morgan, created a sonic landscape that resonated with fans.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"500 Pounds\" is not merely an album; it's a musical journey exploring the complexities of life and love. Tracks like A\u003c\/span\u003e\u003ci\u003ell Over Now\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003eStill Waitin’\u003c\/i\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ci\u003eRide Like Hell\u003c\/i\u003e\u003cspan\u003e exemplify the band's dynamic range, from heartfelt ballads to energetic, blues-infused rock anthems.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe collaborative production efforts of Gordie Johnson, Peter Prilesnik, and Tom Treumuth played a crucial role in shaping the album's distinctive sound. This record's impact extended beyond Canadian borders, earning Big Sugar recognition on the international stage. With its release, the band cemented its reputation as pioneers in genre fusion, influencing subsequent generations of musicians.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"500 Pounds\" remains a timeless testament to Big Sugar's artistic brilliance, and its enduring popularity attests to the album's lasting impact on the rock and blues landscape. The collaborative efforts of the producers, along with the distinctive performances, make this record a cornerstone in the legacy of both Big Sugar and Canadian rock. This is the first ever U.S. vinyl edition.\u003c\/span\u003e\u003c\/p\u003e","brand":"Third Man Records – Official UK\/EU Store","offers":[{"title":"Default Title","offer_id":44010453336219,"sku":"THM7LXXXXXXXXXAX","price":21.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/files\/BigSugar_Cover_Digital_4096x4096_300dpi.jpg?v=1777995510"},{"product_id":"ted-lucas","title":"Ted Lucas","description":"\u003cp\u003eTed Lucas “Ted Lucas” out February 21st, 2025 on Third Man Records, with a digital extended edition featuring unheard tracks from the OM recording period, and available on vinyl for the first time since 2018, pressed in Detroit at Third Man Pressing.\u003c\/p\u003e\n\u003cp\u003eThis self-titled work published album by singer-songwriter and master guitarist Ted Lucas has achieved an almost mystical reputation among aficionados and collectors. Ted Lucas is a seamless marriage of moody odes and raga style instrumentals regarded by many to be, simply put, the greatest private press folk\/psych album ever recorded. Lucas was a fixture in the Detroit rock scene of the sixties and seventies. \u003c\/p\u003e\n\u003cp\u003eIn 1972, the demo for Warner Brothers which would become “Ted Lucas” was recorded at Motown, and released in two private editions in 1975 and known informally to friends and family as The OM Album, after Lucas' own label. The album was released with artwork by the legendary Stanley Mouse originally created for Jimi Hendrix.\u003c\/p\u003e","brand":"Third Man Records – Official UK\/EU Store","offers":[{"title":"Default Title","offer_id":45971926220955,"sku":"THMCD997XXXXXXAX","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/files\/TedLucas_CoverFINAL.jpg?v=1736882298"},{"product_id":"ted-lucas-limited-edition-green-vinyl","title":"Ted Lucas (Limited Edition Green Vinyl)","description":"\u003cp\u003eTed Lucas “Ted Lucas” out February 21st, 2025 on Third Man Records, with a digital extended edition featuring unheard tracks from the OM recording period, and available on vinyl for the first time since 2018, pressed in Detroit at Third Man Pressing.\u003c\/p\u003e\n\u003cp\u003eThis self-titled work published album by singer-songwriter and master guitarist Ted Lucas has achieved an almost mystical reputation among aficionados and collectors. Ted Lucas is a seamless marriage of moody odes and raga style instrumentals regarded by many to be, simply put, the greatest private press folk\/psych album ever recorded. Lucas was a fixture in the Detroit rock scene of the sixties and seventies. \u003c\/p\u003e\n\u003cp\u003eIn 1972, the demo for Warner Brothers which would become “Ted Lucas” was recorded at Motown, and released in two private editions in 1975 and known informally to friends and family as The OM Album, after Lucas' own label. 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Nearly 51 years after the singer-songwriter’s disappearance comes the first reissue of this album in nearly 10 years in any format. 20 tracks (including a bonus 7\" featuring the previously unreleased “House” and the new remix of “Playboy of the Western World” courtesy of Dirick Cummins) that are as poignant and potent as ever and showcase an artist that was operating light years ahead of her time. \u003c\/span\u003e\u003c\/p\u003e","brand":"Third Man Records – Official Store","offers":[{"title":"12\" Vinyl","offer_id":47883458740379,"sku":"THM2VTMR1079XXAX","price":23.0,"currency_code":"GBP","in_stock":true},{"title":"12\" Vinyl (Limited Edition Opaque Silver Vinyl)","offer_id":47883458773147,"sku":"THM2VTME1079XXAX","price":25.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":47883458805915,"sku":"THMCDTMR1079CDAX","price":12.0,"currency_code":"GBP","in_stock":true},{"title":"Cassette","offer_id":47883458838683,"sku":"THMCTTMR1079CXAX","price":9.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/files\/TMR1079_ConnieConverse_digital.jpg?v=1768926134"}],"url":"https:\/\/thirdmanstore.co.uk\/collections\/reissues-1.oembed?page=2","provider":"Third Man Records – Official UK\/EU Store","version":"1.0","type":"link"}