{"title":"Best Sellers","description":"","products":[{"product_id":"help-us-stranger","title":"Help Us Stranger","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eThe Raconteurs \"Jack White, Brendan Benson, Jack Lawrence, and Patrick Keeler\" have announced the release of their long-awaited new album, HELP US STRANGER, which is the GRAMMY Award-winning rock band's third studio LP and first new album in more than a decade.\u003c\/p\u003e\n\u003cp\u003eHELP US STRANGER sees the mighty combo reassembled, stronger and perhaps even more vital than ever before as they continue to push rock n' roll forward into its future, bonding prodigious riffs, blues power, sinewy psychedelia, Detroit funk, and Nashville soul via Benson and White's uncompromising songcraft and the band's steadfast musical muscle. With HELP US STRANGER, The Raconteurs have returned right when they are needed most, unified and invigorated with boundless ambition, infinite energy and a collectivist spirit operating at the peak of its considerable powers, once again creating a sound and fury only possible when all four of its members come together.\u003c\/p\u003e\n\u003cp\u003eWhite and Benson wrote all the songs on HELP US STRANGER except one cover, \"Hey Gyp (Dig The Slowness),\" which was written by Donovan. Recorded at Third Man Studio in Nashville, TN, the album was produced by The Raconteurs and engineered by Joshua V. Smith. Longtime friends and musical collaborators helped make HELP US STRANGER, including keyboardist\/multi-instrumentalist Dean Fertita (The Dead Weather, Queens of the Stone Age) and Lillie Mae Rische and her sister Scarlett Rische. The album was mixed by Vance Powell and The Raconteurs at Blackbird Studios in Nashville.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/kHpWUTCAR4I\" width=\"560\" height=\"315\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Third Man Store","offers":[{"title":"12\" Vinyl","offer_id":40879290581147,"sku":"THM7VTMR600LPXAX","price":17.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":40879290613915,"sku":"THMCDTMR753CDXAX","price":13.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/products\/racs_hus_jacket_cover_web.jpg?v=1629311962"},{"product_id":"the-white-stripes-greatest-hits-1","title":"Greatest Hits","description":"\u003cp dir=\"ltr\"\u003eIn 1997 a brother and sister climbed into the third floor attic of their Southwest Detroit family homestead and bashed out a primitive cover of David Bowie’s “Moonage Daydream.” In an alternate reality, it’s all they ever do musically. The brother leads a spartan life as a dutiful upholsterer and the sister finishes culinary school and continues to make heartwarming food. \u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eBut that doesn’t happen. Something sparks in both of them. They take their simple guitar-drums-voice approach to a local open mic night on Bastille Day. The performance was just good enough to keep them going. In what feels like a whirlwind, they record and release two 7-inch singles for a local indie label. A not-so-local indie offers to put out a full length album.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThey start touring. Another album. More touring. Another album. Folks REALLY start to pay attention. CRAZY touring. More albums, accolades, wildest dream after wildest dream coming true. “World-renowned” becomes an appropriate descriptor as does “long-building overnight sensation.”\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eIt is with extreme reverence that we present to you The White Stripes Greatest Hits.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe first-ever official anthology of recordings from the iconic rock duo, Jack and Meg White, is an essential career-spanning collection highlighting 26 previously released songs. From late Nineties flashes of brilliance through early 2000s underground anthems, masterful MTV Moon Man moments, Grammy-grabbing greatness, and worldwide stadium chants, the songs here are as wide-ranging as you can imagine. In an era of streaming where the idea of a “Greatest Hits” album may seem irrelevant – that an act’s most streamed songs are considered their de facto “hits” – we wholeheartedly believe that great bands deserve “Greatest Hits” and that a large part of Third Man Records’ and The White Stripes’ successes have been built on zigging when the rest of the music business is zagging. Thus, for a great band with great fans, a greatest hits compilation for The White Stripes is not only appropriate, but absolutely necessary.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"315\" width=\"560\" src=\"https:\/\/www.youtube.com\/embed\/cUPJD7sZ274\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Third Man Store","offers":[{"title":"12\" Vinyl","offer_id":40880464396443,"sku":"THM2VTMR700LPXAX","price":25.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":40880464461979,"sku":"THMCDTMR700CDXAX","price":13.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/products\/tmr_700_thewhitestripes_greatesthits_front_2.jpg?v=1629313987"},{"product_id":"copy-of-david","title":"David","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMotown Records: The Supremes, Stevie Wonder, The Miracles, Marvin Gaye, Martha Reeves and The Vandelas and, of course, The Temptations. It is antithetical to mention any of those without the others. The community of artists started as the Sound of Young America, but as history has proven, it became the sound, the look and the inspiration of so much more. And now, little nuggets of Motown’s influence can be found the world over.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDavid Ruffin, founding member of Motown superstars The Temptations, went on to become a successful solo artist even after he left the group. In 1969, Ruffin released two fantastic solo records, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMy Whole World Ended\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeelin’ Good\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Between 1970 and 1971 he recorded what was to be his third long playing solo record. However, his career was suddenly put on hold when Motown, for reasons unclear, shelved the album that had been dubbed \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDavid. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe record had even been assigned a catalog number and final artwork. Ruffin returned in 1973 with a brand new LP titled \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDavid Ruffin \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e(treated officially as his third LP) and the previously recorded album \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDavid \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003esat on the shelves, unheard for decades. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis deluxe 2xLP\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eset features the original, rare \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDavid\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e LP, plus an LP of bonus tracks and mono single mixes all packaged in a beautiful gatefold jacket, featuring extensive liner notes and striking color photographs of Ruffin. His red and yellow suede suit featured in the interior gatefold LP jacket is an absolute must-see! \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe record was cut and pressed at Third Man’s Detroit HQ, just a couple miles away from the original Motown HQ.  For the first time ever on vinyl, Third Man is proud to present the essential, true third LP from the Temptations’ mighty David Ruffin.\u003c\/span\u003e\u003c\/p\u003e","brand":"Third Man UK\/EU Store","offers":[{"title":"Default Title","offer_id":41222001033371,"sku":"THM2VTMR701XXXAX","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/products\/TMR701_DavidRuffin_Final_Flat_0a783ee8-28f4-4f8d-afcc-e03b42b63e2b.jpg?v=1632407852"},{"product_id":"island-of-love","title":"Island of Love","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYou know a band has to be one of the most incredible live outfits in the country when they get signed immediately after a show in the time it takes to pop outside for a cigarette break. This is exactly what happened to Island of Love after they were invited to play The Blue Basement venue in Third Man Records - which opened in September 2021 in London as the third Third Man store after Nashville and Detroit. Island of Love were second only to Jack White himself to play the room and it was still so new that the drummer even left with paint on his back from where he’d been pressed up against the wall playing. With that on-the-spot offer, they became the first band signed to Third Man London.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe band are a unique proposition in many ways. While countless London bands continue to go down the same tired path of churning out spoken word post-punk, Island of Love marry raw, primal noise led by crunchy guitars with intrinsically melodic sensibilities - recalling the sound and spirit of peak-era Dinosaur Jr. or Husker Dü.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFollowing the release of 2021's 'Songs of Love' EP, the trio wrote endless songs, rehearsed with military precision and dedication, and went into the studio to lay down a fully formed album with ferocity and execution. For a debut album, and a band so young, there is a great deal of restraint and consideration to be heard. It’s an album that is loud and noisy but also filled with push-pull dynamics that results in moments of tenderness and quiet that then elevates the crunch and power of noisier parts. “The album shows the balance of it being written in bedrooms but being honed in live shows,” says Munch. “It captures a contrast.”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe band needed an engineer who could bring this out and so Jack Shirley, who has production credits that span from Deafheaven to Happy Diving (Island of Love’s biggest influence). Shirley was given a list of bands, such as noise titans Boris, for reference points, and, combined with his own deeply intuitive approach, has resulted in a mix that highlights and accentuates these contrasts - capturing both the primal rawness and the melodic sweetness of the band.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhile the band have had an aesthetic fondness for metal style artwork in the past, they have moved into new terrain for this album, much as they have ventured into new musical territory. “I do a lot of the artwork but with this record I felt we've sort of done the metal thing,” says Newble. “This one is a homage to stuff like Michael Hurley. It's really cutesy comic book stuff. I like the idea of leaning into cuteness and then having some horrible gross undertones to it.”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnd that there is perhaps the description that best encapsulates this album. A record that explores duality, balance and contrast; a place where grizzly teeth-rattling noise and explode like fireworks one moment before gliding seamlessly into melody-laced sugary pop hooks and the kind of considered songwriting that truly belies their age. “This album exceeded our expectations,” says Newble. “I’m really proud of it.”\u003c\/span\u003e\u003c\/p\u003e","brand":"Third Man Records – Official UK\/EU Store","offers":[{"title":"12\" Vinyl (Standard Black)","offer_id":43221619441819,"sku":"THM2VTMR877LPXAX","price":20.0,"currency_code":"GBP","in_stock":true},{"title":"12\" Vinyl (Limited Edition Piss Yellow)","offer_id":43221619474587,"sku":"THM2VTME877LPXAX","price":25.0,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":43221619507355,"sku":"THMCDTMR877CDXAX","price":12.0,"currency_code":"GBP","in_stock":true},{"title":"Cassette","offer_id":43221619540123,"sku":"THMCTTMR877CXXAX","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/products\/TMR_877_IOL_cover_3000x_06162fd6-ae64-41dd-8bc7-a79fc87b384e.jpg?v=1676052313"},{"product_id":"raving-ghost","title":"Raving Ghost","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe third full-length from Olivia Jean,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eRaving Ghost\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eis an album populated by mysterious characters in various states of danger: cursed lovers, doomed souls, women deliriously haunted by unseen forces. Over the course of its 11 spellbinding tracks, the Detroit-born singer\/songwriter\/multi- instrumentalist amplifies that drama with her wildly melodic take on garage-rock, handling each riff with the power and precision she’s previously shown as a member of the Black Belles (and as an in- demand session\/ touring musician). A stunning evolution of the retro-surf sound of her past solo work,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eRaving Ghost\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eultimately makes for the most magnificently heavy and mesmerizing output yet from an endlessly fascinating artist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eMainly recorded at the famed Valentine Recording Studios in L.A.,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eRaving Ghost\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003efinds Olivia Jean back in the producer’s chair and working with musicians like My Morning Jacket keyboardist Bo Koster and drummers Carla Azar (T-Bone Burnett, Nikki Lane) and Patrick Keeler (The Raconteurs, The Afghan Whigs). “Valentine is like a time capsule that’s been perfectly preserved since the ’60s, so aesthetically and sonically it was right up my alley,” says Olivia Jean, who recorded parts of\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eRaving Ghost\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eat Third Man Recording Studio in her homebase of Nashville. “We had so much at our disposal and experimented with different amps and sounds, and the songs slowly transformed into something I never imagined. On my previous albums I played most of the instruments myself, so it felt good to let go and trust the process of working with these extremely creative musicians.” Engineered by Bill Skibbe (The Kills, Blonde Redhead), the result is a feverish collision of goth- punk and power-pop and classic garage, charged with an energy so intense that the speakers to several of Valentine’s vintage amps ended up blowing out during the recording sessions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eMostly made up of songs written alone late at night,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eRaving Ghost\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eopens on the brooding rhythms and serpentine guitar lines of its title track, a powerful introduction to the album’s lavishly detailed storytelling (“The scratch that crawls across my neck is starting to give me the chills\/I slip slowly into a trance and suddenly a void’s been filled”). “A lot of these songs started with me coming up with scenarios and characters and then free-writing to see what developed,” says Olivia Jean. “‘Raving Ghost’ came to me very naturally, and steered the direction for the entire album.” A prime showcase for her explosive guitar work, “Trouble” puts a dizzyingly fun twist on losing all sense of control (“Let the madness begin\/The claws dig in”). And on “Spider,” Olivia Jean spins a shadowy portrait of obsession and destruction, setting her seductive vocals against a hypnotic backdrop of brutal riffs and sinister synth tones (courtesy of Jellyfish co-founder Roger Joseph Manning Jr.).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eNaming the Go-Go’s, Siouxsie and the Banshees, and Babes in Toyland among her inspirations for\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eRaving Ghost\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e, Olivia Jean also graced the album’s tracklist with such unexpected moments as her frenetic cover of Enya’s “Orinoco Flow.” But growing up on the outskirts of Detroit, the near- lifelong guitarist found her first musical love in 1960’s instrumental surf bands. “I fell in love with the guitar tones and earworm melodies, which is what drew me into the world of surf music,” says Olivia Jean, who got her start playing guitar at a young age. Olivia was enamored by Detroit’s thriving garage rock scene and was heavily inspired by its unique rawness. Olivia began recording instrumental surf music as a teenager. After years of self-recording, Olivia Jean put together a demo that soon led to the co-founding of the Black Belles and the band’s signing to Third Man Records. Following the release of their 2011 self- titled debut, Olivia Jean went on to deliver her first solo album (2014’s\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBathtub Love Killings\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e), then returned in 2019 with her self-produced sophomore album, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eNight Owl\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eWith her past touring experience, Olivia Jean constructed\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eRaving Ghost\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e’s formidable sound with her captivating live show in mind. And as she gears up for her next tour (and for appearances at major festivals like Shaky Knees), her number-one intention is to infuse each performance with the unparalleled thrill she finds in creating music. \"Ever since I was a kid, writing songs and playing guitar has been an addiction that nothing else can touch,” she says. “My guitar is an appendage. I could never put my guitar down even if I tried.”\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Third Man Records – Official UK\/EU Store","offers":[{"title":"12\" Vinyl (Standard Black)","offer_id":43267226468507,"sku":"THM7LTMR859LPXAX","price":20.0,"currency_code":"GBP","in_stock":true},{"title":"12\" Vinyl (Limited Edition Phantom Amethyst)","offer_id":43267226501275,"sku":"THM2VTME859LPXAX","price":25.0,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":43267226534043,"sku":"THMCDTMR859CDXAX","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/products\/1_IG_Slide_Post.jpg?v=1677707494"},{"product_id":"guitar-romantic-expanded-remastered","title":"Guitar Romantic (Expanded \u0026 Remastered)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe turn of the century was heady times. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe thought of how an underground power\/pop\/punk band should exist in the aftermath of the Green Day Nineties was a proposal that hung heavy with apprehension, confusion and bewilderment. While a difficult construct to navigate, this is the unlikely Portland, Oregon setting we see the Exploding Hearts erupt from.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDrawing spiritual inspiration from the likes of the Buzzcocks, Undertones, and Nick Lowe, the attitude and implied delinquency of the Exploding Hearts was more in line with that of au courant Naughties Warped Tour line-ups. The band also considered themselves peers with the scuzzier side of “The” rock bands at the top of the 2000s. The intersection between Detroit garage punk, Goner Records and the shelves at Hot Topic is a seldom tread land, but it was fertile with potential.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWith ten undeniable songs clocking in at just 28 minutes, the Hearts' indisputably essential \u003c\/span\u003e\u003cspan\u003eGuitar Romantic \u003c\/span\u003e\u003cspan\u003eoperated as the punk rock equivalent of Ernest Hemingway’s writing: Nothing extraneous, simple, straightforward, to the point, deserving of no additional flourish or accoutrement, with every creative decision pushing forward the work as a whole. Arguably, perfect.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe album immediately felt strong. It felt classic. It felt…destined for bigger things. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eYet barely three months after its\u003c\/span\u003e\u003cspan\u003e\u003ci\u003e \u003c\/i\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003edomestic\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003e release, with momentum building and Lookout! Records sniffing around, band members Jeremy Gage,  Adam Cox and Matt Fitzgerald, all barely in their twenties, would die in a tragic van accident that ended the band.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe intervening two decades has found \u003c\/span\u003e\u003cspan\u003eGuitar Romantic\u003c\/span\u003e\u003cspan\u003e bubble up from a below-the-radar cult classic to a genuinely acknowledged and appreciated touchstone of its time. As years have carried on with the album rightfully landing on countless “Best of” lists,\u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: #ff2600;\" color=\"#ff2600\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003ethis record is somehow still ascending and growing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWith that in mind, the passing of \u003c\/span\u003e\u003cspan\u003eGuitar Romantic\u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003e co-writer “King” Louie Bankston in 2022 served as inspiration for Six to place the album with an appropriate and caring long-term \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003ehome after years of planning to self-release\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003e. Six approached only one label - Third Man Records - who immediately agreed to take up the mantle of the record that was near and dear to their collective hearts.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eGuitar Romantic (\u003c\/span\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003e\u003cspan\u003eExpanded\u003c\/span\u003e\u003cspan\u003e \u0026amp; \u003c\/span\u003e\u003cspan\u003eRemastered\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e) \u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003edoesn’t just present the album with a sharp, spiffed up remastering. It also found original album producer Pat Kearns spinning \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003ethe old reel to reel and\u003c\/span\u003e\u003cspan style=\"color: #ff2600;\" color=\"#ff2600\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003earchived DAT tapes for the first time in twenty years. This enabled Six to drop in nuggets like little snippets of pre-and-post-take studio dialogue amongst band members, adding audible life to a record that for too long has been overly-associated with death.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIf that weren’t enough, the remastering uncovered the previously forgotten organ-heavy “King Louie Mix” of the fan favorite “I’m A Pretender.” Even more intriguing was the discovery of a completely unheard take of “So Bored\", p\u003c\/span\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003e\u003cspan\u003ereviously not even known to have been recorded at the \u003ci\u003eGuitar \u003c\/i\u003e\u003c\/span\u003e\u003cspan\u003e\u003ci\u003eRomantic\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003e sessions.\u003c\/span\u003e\u003cspan style=\"color: #ff2600;\" color=\"#ff2600\"\u003e \u003c\/span\u003e\u003cspan style=\"color: #ff2600;\" color=\"#ff2600\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003eOf most excitement though is a remastered version of “Busy Signals” (a song originally released on a small-quantity 7-inch in January 2003).\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAll of these songs are included here, housed in a beautiful gatefold packaging and still all fitting on a single LP.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWith plans to play a handful of select tribute shows across the US to honor the \u003c\/span\u003e\u003cspan\u003eGuitar Romantic \u003c\/span\u003e\u003cspan\u003ematerial, Terry Six continues to carry the torch for the Exploding Hearts and the countless fans who count this album as a quintessential touchstone.\u003c\/span\u003e\u003c\/p\u003e","brand":"Third Man Records – Official UK\/EU Store","offers":[{"title":"12\" Vinyl (Standard Black)","offer_id":43326126948507,"sku":"THM2VTMR894LPXAX","price":25.0,"currency_code":"GBP","in_stock":true},{"title":"12\" Vinyl (Limited Edition Clear with Pink and Yellow Wisps)","offer_id":43326126981275,"sku":"THM2VTME894LPXAX","price":27.0,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":43326127734939,"sku":"THMCDTMR894CDXAX","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/products\/TMR894_ExplodingHearts_GuitarRomantic_3000x3000_fc579f06-21e0-4b79-8326-079a789cd58d.jpg?v=1680208595"},{"product_id":"super-snooper","title":"Super Snõõper","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSnõõper (the Project) began as a collaboration between local Nashville punk mainstay Connor Cummins and Blair Tramel, an early education teacher with a sideline in wickedly funny animation and art. As their cassette tapes and homemade videos began to find scattered fans around the world, the duo brought the Project to the live stage in late 2021 and Snõõper (the Band) was born.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeaturing one of the wildest live shows out there, as well a maelstrom of puppets, 8 bit animation, papier-mâché, whistles, flashing lights and a whirling dervish of bodies, Snõõper commits the live act to a studio setting and sets the stage for one of the most promising punk debut albums in decades.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut don’t take our word for it; here’s Henry Rollins, at-length on the magic of Snõõper:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the briefest of descriptions, Snõõper is a band who, in a 33 1\/3 rpm world, make 45 rpm music they play at 78 and it completely works.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEven at this incredible speed, Snõõper (the kinetic duo of musician Connor Cummins and visual\/video artist, Blair Tramel) is super precise instrumentally and skillfully melodic vocally, even though, again, they’re flooring it almost the entire time. The overall effect is a megadose of extremely cool and unique songs that while at the speed of tomorrow, would lose their overwhelming fun factor if played any differently.\u003cbr data-mce-fragment=\"1\"\u003eAs far as Snõõper vinyl, there’s been three 7” records: 2020’s Music For Spies, the Snõõper EP released in 2021 and last year’s Town Topic EP. All of them are great but you’d be well advised not to sit down once you’ve put a side on, as you’ll be getting up to flip the record over all too soon. Snõõper’s music isn’t for sitting around to anyway.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDiverging from their regular two person line-up, for Super Snooper, Connor and Blair bought on drummer Cam Sarrett, bassist Happy Haugen and Ian Teeple on second guitar. The results do justice to the music and has evolved Snõõper’s sound exponentially.\u003cbr data-mce-fragment=\"1\"\u003eOn the fourth listen to Super Snooper now and a new evaluation springs forth: Snõõper don’t play fast. They play at the speed of Snõõper. The band is so tight, the songs so ready for the Bonneville Salt Lake Flats testing site, one might conclude Snõõper’s just leapin’ and lopin’, to borrow the title of Sonny Clark’s excellent 1962 Blue Note LP.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSnõõper’s completely happening 11-23-22 thirty-four song 27:22 set at Nashville’s Exit\/In, mercifully recorded and released so you can back up your witness testimony as to how smokin’ the show was with actual audio verification is further proof of how totally ripping this band is and brings to mind a topic insinuated by the live recording but proven true by Super Snooper. Given the brief but awesome glimpses into Snõõper’s music afforded by the aforementioned 7”s, one might wonder if the group could hold the line for a full album. The answer is an enthusiastic yes. Super Snooper is great great great and you might find yourself playing it over and over as it gets better and better the more you do.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSpeaking selfishly, I want Snõõper to hurry up and make another album. This is a really cool record.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Henry Rollins\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Third Man Records – Official UK\/EU Store","offers":[{"title":"12\" Vinyl (Standard Black)","offer_id":43332234281115,"sku":"THM2VTMR919LPXAX","price":20.0,"currency_code":"GBP","in_stock":true},{"title":"12\" Vinyl (Limited Edition Clear with Green Wisps)","offer_id":43332234313883,"sku":"THM2VTME919XXXAX","price":25.0,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":43332234346651,"sku":"THMCDTMR919CDXAX","price":12.0,"currency_code":"GBP","in_stock":true},{"title":"Cassette","offer_id":43332234379419,"sku":"THMCTTMR919CXXAX","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/products\/TMR_919_Snooper_SuperSnooper_cover_digital_3400x_a9d602b6-6495-43df-a1d0-3f5b194a0431.jpg?v=1680717831"},{"product_id":"mommy","title":"Mommy","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2023 finds Be Your Own Pet not only back with a new album, but stronger than ever before. Due August 25, \u003c\/span\u003e\u003cspan\u003eMommy \u003c\/span\u003e\u003cspan\u003ebolsters the group’s patented garage punk ferocity with matured songwriting, inspired musicianship, and a fervor to claim their space and define their future.\u003c\/span\u003e\u003cspan\u003e “I’m not your victim, I’m my own person\/ I’m not some casualty, I set myself free,”\u003c\/span\u003e\u003cspan\u003e Pearl roars on lead single “Hand Grenade”, propelled forward by a burst of guitar shrapnel from Stein and a time-bomb rhythm section courtesy of Vasquez and Eatherly. Born during the group’s first day of writing, the track is both a vicious rebuke of the sexism and abuse that pervades the music world and a steely refusal to be defined by it. “That song’s one of my little babies,” Pearl says. “By telling our stories and sharing our truth, we can gain power back from a situation where we felt powerless.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOn \u003c\/span\u003e\u003cspan\u003eMommy \u003c\/span\u003e\u003cspan\u003ehighlight “Goodtime!”, that exaggeration comes through in the form of trying to balance two kids, a mortgage, and some FOMO. \u003c\/span\u003e\u003cspan\u003e“Used to be the life of the party\/ Crashing out nothing to lose\/ Now I’m not so juvenile\/ I got nothing left to prove\u003c\/span\u003e\u003cspan\u003e,” Pearl shouts over a roiling garage thump, before quickly transitioning to wondering aloud whether everyone else is still hanging out and just not calling her. “The older you get, the more responsibility and compromise, the more people that depend on you—but there’s always a little bit of missing the freedom from when you’re younger,” she explains. Stein agrees: “You can be nurturing an adult life with your family but still looking over your shoulder like, ‘God, I wanna be partying.’” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe group have grown a lot since their first run, both personally and musically, but have managed to reshape their razor-edged swagger through the turmoil. “It got kind of dark towards the end. My own challenges with mental health probably affected everybody in the band. I was undiagnosed bipolar 1 at the time. It felt like we were just on this runaway train,” Pearl says. “Years later, we wanted to come back together in this new, more evolved place, to connect the threads between our old records and \u003c\/span\u003e\u003cspan\u003eMommy\u003c\/span\u003e\u003cspan\u003e, while not worrying about what other people’s expectations might be.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn the studio, the quartet reveled in leveraging their new freedom and strengths through their old formula. While Pearl had previously fitted lyrics into the others’ songs, she brought her own song ideas into the writing room for \u003c\/span\u003e\u003cspan\u003eMommy\u003c\/span\u003e\u003cspan\u003e. Stein, meanwhile, relished the opportunity to riff out some new lead guitar parts after relinquishing that role while fronting Turbo Fruits. Vasquez evolved from a rough-around-the-edges rocker in the band’s early days to the band’s limber, inventive engine. Eatherly’s newly diversified skill set led to even more robust songs. “He’d be shouting out melody and production ideas while drumming,” Stein says. “He’s that super-talented motherfucker that pisses you off because he plays everything better than you.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe thunderous capacity of the rhythm section powers songs like “Big Trouble”, a siren-laden jam where Pearl insists on her own emotions and reality. Elsewhere, “Worship the Whip” plays out like an explicit, leather-clad dom evolution of “Whip It”, the riotous “Pleasure Seeker” stomps and snarls through a glorious layer of fuzz, and reverb-laden retro ballad “Teenage Heaven” brings a relationship back to a place that’s no bickering and all making out.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith a fresh slate of tour dates already booked, Be Your Own Pet are looking forward to sharing this new version of themselves with fans who are thrilled to reconnect and new fans who may not have been old enough to remember their first run. But the band are also longing to reconnect with each other and a part of themselves. “\u003c\/span\u003e\u003cspan\u003eMommy\u003c\/span\u003e\u003cspan\u003e is the bitch in charge, the one in control,” Pearl says. “It’s a reclamation of myself.” With that, the quartet are ready to step back out into the wild, vicious Be Your Own Pet world and rough things up again – but this time, on their own terms.\u003c\/span\u003e\u003c\/p\u003e","brand":"Third Man Records – Official UK\/EU Store","offers":[{"title":"12\" Standard Black Vinyl","offer_id":43397018288283,"sku":"THM2VTMR927LPXAX","price":20.0,"currency_code":"GBP","in_stock":true},{"title":"12\" Limited Edition Living Dead Green Vinyl","offer_id":43397018321051,"sku":"THM2VTME927IndAX","price":25.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":43397018353819,"sku":"THMCDTMR927CDXAX","price":12.0,"currency_code":"GBP","in_stock":true},{"title":"Cassette","offer_id":43397018386587,"sku":"THMCTTMR927CXXAX","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/6948\/8795\/files\/TMR_927_BYOP_Mommy_digital_cover.jpg?v=1685473607"},{"product_id":"cartwheel","title":"Cartwheel","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHotline TNT \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e— the project of Brooklyn-based musician \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eWill Anderson \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e— will release their hugely anticipated new album and \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThird Man Records\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e debut, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eCartwheel\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, on \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eNovember 3rd. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAfter touring relentlessly, enduring seemingly endless lineup shifts, Hotline TNT have become a linchpin of several interconnecting DIY scenes. Their audience has steadily ballooned, with their debut album Nineteen in Love becoming a coveted LP. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eIts follow-up is a beautiful, radical, and engrossing record about trying to find what most of us have not yet attained: fulfillment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"arial, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnderson plays and sings nearly every note on \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eCartwheel\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e himself. 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Again is the follow-up to the four-piece's 2023 debut, Lush Life, a “punchy, hook-laden rock record…straightforward in sound but borderline unassailable in its construction” (The Guardian). Again marks a new chapter for Australia’s best-kept secret, who have been building a loyal local following since they first formed eight years ago with their earnestness and ultra-sticky power-pop song structures. \u003cbr\u003e\u003cbr\u003eAs the next decade rolled in, the Belair Lip Bombs fine-tuned their “limerence-rock” (as singer\/guitarist Maisie puts it) aesthetic across impassioned and snappy singles. In mapping out what would become Again, the band merged their individual influences more than ever to craft a no-skips collection of indie-rock anthems. It gives the group’s DIY indie-rock style a fresh coat of polish across 10 rollicking new tracks. 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